'Files are getting awards', Prakash Raj said in an apparent reference to The Kashmir Files< receiving national honours.
The Critics Choice Awards saw a lot of talent on the red carpet, as actors got recognised for their work.
'...without looking into yourself.' 'What matters most is human relationships and the human mind.'
'Suddenly the audience pool feels bigger, like everyone is watching everything now.' 'It's no longer limited in terms of boundaries, like a state or a language.' 'Whether it's a series, a movie or even a Korean film, the audience has access to all of it.' 'Slowly, the boundaries are blurring, so that's great for actors.'
Prasanna Vithanage's Paradise leaves the audience to read between the lines and draw their own conclusions about the frailty of human nature, and how easily violence seizes the most unexpected prey, observes Deepa Gahlot.
Year after year, Malayalam cinema throws stunning surprises at us. 2022 was no exception.
'You have to be good in your project that's releasing today for you to be working on something tomorrow. That will always be the case.'
Divya Nair lists 2023's Malayalam movies that can be enjoyed by all ages.
In 2020, Hindi cinema had a tough time staying on par with its southern counterparts.
'I am not a future guy.' 'I just owe it to my audience here.' 'I never want them to wonder why this guy did this role.' 'Even for my bad films, I want them to think that he was trying at least.'
An American film A Call To Spy has beaten Ketan Mehta to the finishing line.
Unpaused: Naya Safar holds on to a light-at-the-end-of-a-tunnel thought and looks at the pandemic-afflicted people from all walks of life through the prism of optimism in five poignant stories, notes Sukanya Verma.
Dear Friend is for those who idealised Dil Chahta Hai all out of proportion, and then warmed up to the premise that friendship could be a lot more complicated, and transient, observes Sreehari Nair.
As Fahadh Faasil turns 39 on August 8, Subhash K Jha looks back at his favourite films featuring the brilliant actor.
In a year of overwrought spectacles that slavishly sucked up to the audience, I found refuge in a bunch of 'mainstream' Indian films that espoused such old-fashioned values as dedication to craft, close observation and casual bravery, explains Sreehari Nair.
What Director Mahesh Narayanan captures perfectly in C U Soon is the texture of our online conversations, observes Sreehari Nair.
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
Aseem Chhabra lists the best non-Hindi language films he watched in 2020, with the hope that they will have a wider reach in the new year.
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